817
7.7

兵临城下

导演:
林农
主演:
李默然,赫海泉,中叔皇,张然,庞学勤,陈汝斌,王秋颖,王守全,刘惠明
别名:
未知
7.7
817人评分
普通话
语言
1964
上映时间
未知
片长
简介:

解放战争时期,东北某城市。被我军释放的郑汉臣(中叔皇 饰)回城后,即受到蒋嫡系203师的怀疑,而且连上司369师师长赵崇武(赫海泉 饰)也牵扯进来。为了瓦解敌人,我军姜部长(李默然 饰)深入敌穴,动员赵率部起义。赵犹豫不决,此时203师参谋长钱孝正(张然 饰)发现共产党和赵有瓜葛,欲逮捕姜被赵设计送回。不久南京胡高参(王秋颖 饰)来视察防务,他也发现赵思想苗头不对,他一面假惺惺安怃,一面派人调查赵通共的证据。在突围中,赵率369师打头阵,却胳膊受伤,在不经意间他发现了蒋介石要处决他的密电,赵对蒋不再抱任何幻想,决心倒戈,密秘联系姜部长,决定阵前起义......

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简介:Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.  Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.  The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.  Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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